use value - not color or detail - as the framework for your composition

Look for an opportunity to create a white path into the composition and link the whites into a single shape. If you allow the whites to separate each one could fight against the viewer's attention, and the composition could lack unity. I am not necessarily talking about the color white. I am talking about lightning the values you use, to create a viewer's path, to bring the eye to your focal point.

Once you have your white and mid tone paths, you can complete the composition framework by adding darks. The darks do not need to create a single path. The reason is that the eye seems to connect darks even if they are not literally connected.

Bobby Parker
Hey there, thanks for visiting my online portfolio. My name is Bobby Parker and I’m a Minnesota based illustrator who specializes in photo-real architectural renderings, and I’m not afraid to turn my hand to animation if the job requires it. While growing up in Illinios I always had a childhood interest in drawing and artwork that has stayed with me throughout my career in architecture. I received my architectural education working for some of the most talented architects in Chicago. I’ve worked on a wide range of projects, and pride myself on the ability to deliver a valuable and visually-appealing end product, no matter what the scope. For me, it’s essential to achieve a balance between quality and speed. 24 years after working professionally, I am still combining the fundamentals of art with the most current industry technology, to create incredibly realistic 3D architectural renderings. I love what I do, and I hope that it shows in my portfolio. Please take a minute to visit my work page and drop me a message if you have any questions
www.bobby-parker.com
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